I don’t believe in a God (or Gods). I don’t believe in Hell, Purgatory or Heaven. I believe in physics, in the concept of eternal universes, in the perfection of our imperfect cosmos. I believe in the force of nature, a kind of intelligent living being, but without any sentiments or feelings. I was born into a Catholic family and up until the age of 8 I received a Catholic tutoring. Even so I didn’t believe in God consciously from the age of 12, but I am still fascinated by Catholic religion and especially by medieval art and culture. Medieval Art is one of my greatest passions. I can’t take my eyes off the marvellous, absolutely stunning Gothic Cathedrals, impressive gothic altarpieces, the beautiful icons, the fantastic gargoyles, and burlesque creatures, unorthodox and original creations all. Actually I love all the medieval visual art, the architecture and designs.

After this long interruption (I am an artist and as such I have to say something about me!) back to the big Trinity.

Pope John Paul II said: The essential characteristic of heaven, hell or purgatory is that they are states of being of a spirit (angel/demon) or human soul, rather than places, as commonly perceived and represented in human language.

This language of place is, according to John Paul II, inadequate to describe the realities involved, since it is tied to the temporal order in which this world and we ourselves exist. In this he is applying the philosophical categories used by the Church in her theology and saying what St. Thomas Aquinas said long before him.

Incorporeal things are not in place after a manner known and familiar to us, in which way we say that bodies are properly in place; but they are in place after a manner befitting spiritual substances, a manner that cannot be fully manifest to us. [St. Thomas Aquinas,Summa Theologiae, Supplement, Q69, a1, reply 1]

This is how the Catechism of the Catholic Church summarizes the truths of faith on this subject:

To die in mortal sin without repenting and accepting God's merciful love means remaining separated from him for ever by our own free choice. This state of definitive self-exclusion from communion with God and the blessed is called hell (n. 1033).

How different are these views from the ideas of the medieval artists, sculptors, builders, decorators and craftsmen about Hell, Purgatory and Heaven.  They saw them as places. The medieval artists took delight in their subversive possibilities.

They created the most incredible churches, altarpieces, icons and paintings. Among those lots of them on the topic of Hell, Purgatory and Heaven.

The Buddhist concept of heaven and hell is entirely different from that in other religions. Buddhists do not accept that these places are eternal. It is unreasonable to condemn a man to eternal hell for his human weakness but quite reasonable to give him every chance to develop himself. From the Buddhist point of view, those who go to hell can work themselves upward by making use of the merit that they had acquired previously. There are no locks on the gates of hell. Hell is a temporary place and there is no reason for those beings to suffer there forever.

The Buddha's Teaching shows us that there are heavens and hells not only beyond this world, but in this very world itself. Thus the Buddhist conception of heaven and hell is very reasonable. For instance, the Buddha once said,

'When the average ignorant person makes an assertion to the effect that there is a Hell (patala) under the ocean he is making a statement which is false and without basis. The word 'Hell' is a term for painful sensations.'

The idea of one particular ready-made place or a place created by god as heaven and hell is not acceptable to the Buddhist concept.
I like this concept of Buddhism and also very much the concept of the Toltecs. We are creating in a metaphorical sense our own hell, purgatory and heaven in this world in our own lives.

I was playing with this idea: heaven is Death, purgatory is our temporary existence, and our birth is Hell!

I am absolutely aware about the fact that my abstract vision about Hell, Purgatory and Heaven is nothing compare to the imaginary art of Hans Memling, Hieronymus Bosh, Christobal Rojas etc, etc. It is my first approach to this topic. Just trying the colours and the structure.  I used my own technique to create this modern triptych on 3 separate canvasses.

Here are they:

Hell, Purgatory and Heaven - triptych by Kasia B.T.

I have created a new installation in the garden. It is about my insomnia. I got the inspiration from my own problems with sleeping and from a book I received from my 'art fan' in Brussels. If he is reading this post, he will be happy to know that I found the publication about Narcolepsy very educational and interesting.

Here is a photo of the installation:

Insomnia - Narcolepsy - Installation 2011 by Kasia B.T.

I am starting to think about my dream to make it as an artist as something very irrational, utopian and pathetic. Who needs art, who needs my art? If you have finished an art academy and if you don't "make it" within the next three years then you will never make it. The talent, ideas, originality, whatever it is of no importance after that. It is just the significance to being discovered by a very important art dealer and some luck. Then the marketing machine will start to work for you. Otherwise it will not.

Here are a few images of my work in progress:

Landscape in gold and blue

A bird in colours of Devon

The Gravitation of the Clown - painting in progress

We are born alone, we die alone together

It takes place at the Northcott Theatre in Exeter, Stocker Road, EX4 4QB between 2-9 PM. There will be speeches at 3pm, followed later by entertainment and of course the artist demonstrations. Several artists will present their art works, and one of them will be me. Refreshments will also be available. It's a great space, and we hope (the artists and the DOS organisation) it will be a great day, too. The studios themselves are open from 10 AM on Saturday 3rd for two weeks.
In an article about Devon Open Studios 2011 The Independent said:

Worlds away from the enormous price tags of London's Cork Street, or the glossy modernism of the Frieze Art Fair in Regent's Park, London, Devon Open Studios offers visitors the rare privilege of viewing art in the context of where and how it is made. And, should you feel like buying something, you're unlikely to have to re-mortgage your house to do so.

The county has long captivated artists with its dramatic landscapes. Local institutions such as the Cider Press Centre near Dartington, the Devon Guild of Craftsmen in Bovey Tracey and the Plymouth Arts Centre have long provided visitors with the edited highlights of Devon's artistic life. But creative types are now keen to show their work on their own terms, hence the burgeoning success of the Open Studios project.

Now in its seventh year, the event has grown inexorably from a handful of artists showing work in their garages and living rooms to a well-organised trail. Weavers, potters, glassblowers, photographers, printmakers, sculptors, jewellers, quilt-makers and wood-turners are all more than happy to explain their practices to visitors for a fortnight, over tea. The event costs nothing to the visitor and there is no prescribed route. The best bet is to pick through the brochure to see whose artwork appeals and just turn up on their doorstep.

The invitation to the Launch of Devon Open Studios 2011

Devon Open Studios 2011 also has its own channel on YouTube. Here's Greg Ramsden talking about "Discipline in Painting":

I met Greg a year ago at the South West Contemporary Art Fair in Totnes. He is a very nice person but also a brilliant painter, I have to admit it.

Here in this short video I am just sitting in the chair in my summer studio, the canvas is in the easel and I behave very normal and conventional.   Sometimes I am normal.

Kasia in the Countryside

Lying is a bad thing to do but telling the truth isn’t good either.  When you grow up society expects from you to have a job, to make money, to find a partner to reproduce new offspring and after that do the same to them what your parents did to you; program them.

For thousands of years humans have agreed to be so and to do so.  Without any guarantee that our lives will be better, happier or healthier. The primitive instinct to procreate and the other strong instinct; to stay alive, occupy the humans’ minds.    It is encoded in our universal DNA even if we know we all die, eventually; and that our death is often despicable and undeserved.

We are working with persistence to develop new technologies, to make our lives easier but at the same time to destroy each other with more sophistication. We created a kind of civilisation, but it is very primitive. To be true we didn’t change as homo sapience a lot the last 10000 years. Wars, conflicts, exploitation, slavery, deceptions, envy, propaganda, jealousy and the all surrounding fear control our existence.

The best way to survive in this world it is to find your inner child and escape into that reality; hide there and wait till the end of your life.

Puella aeterna and puer eaternus are the heroes of my new series entitled “Peter Pan”.  They are not present in these paintings; you can’t find their faces at surfaces or in the background. They are invisible; only their souls are smiling to us.

I think that becoming a mature person isn’t synonym for better. Definitely, it doesn’t mean better life. To stay a child for ever is only the one possible alternative to survive in this horrible world.  Contrary the physiologists arguments……..Live Long Peter Pan!  Voilà

I am dreaming about different world because the reality of this one I just don’t like. I am painting my own sweet and cute non- reality.

This time I am invite you into the world of Piglet, Mike, Bobby, Tony and Kasia.

This painting is an acrylics on canvas.

"Return of Peter Pan" - acrylics on canvas 2011

My new series is about the trees “The Tree tales”. The trees from my paintings are telling stories: sad, cheerful, dramatic, funny, horrible, disgusting, beautiful…sometimes real, sometimes surreal, and sometimes fantastic……conform our lives, lies, black swans and quantum physics.

Yes, I am back into the figurative style. I never painted trees before because I found them so perfect in reality that every copied image looked very kitschy to me. It is a fact, that nature in its essence is perfect; most of the landscape paintings, that are trying to copy nature, are only a bad imitations of it.  The most important aspect is to make an own interpretation of the subject and add also personal emotions into it.

So, what changed my mind, why this Tree Series?  The most important aspect is being very close to nature, being surrounded by an incredible beautiful landscape,  and observing  the  structure of the nature every day. Another aspect is my different approach to painting the nature. I don’t just paint the trees, my trees are the context of my work and the subject of it, both.

And most important, my trees are telling stories…and if you listen very carefully you can hear them.  Most of us are living in an urban environment, in big cities, far away from forests, woodlands and trees.  Most of us aren’t surrounded by ageing, ancient oaks, aches, elms, birches, maples, English yews and all the other distinguished, sometimes frivolous beautiful trees. I am just giving back; I am very fortunate to live in Devon, surrounded by beautiful, often very old trees.

My favourite tree is the oak. It looks like an old, wise Knight, or maybe a transcendental Wizard with its gnarled branches.  My oak, is a very old one from Dunchideock.  It is telling a story about ancient battles, lovers trysts and quarrels.  Everything is in there if you pause long enough to tune in to this magnificent time portal.

"My Friend Oak is telling a story, again" – acrylics on canvas, 2010