Blueberryland is full of unpredictable and unexpected phenomena.

Just when Blueberryer and Blueberryess wanted to go for a nice, evening walk suddenly out of the blue a golden and blue hole opened its mouth and both of them were taken into a new adventure. Maybe they could even wake up in a new Universe? Can they survive inside the blueberry hole? Is there a way to escape from it? Is the blueberry hole less dangerous than an ordinary black hole? Can Blueberryer rescue his Blueberryess without his Golden bike?

The adventure in the Blueberry Hole from the Series Blueberryland #2/n.

Blueberryland #2/n - detail

And I will be there represented by Artisan Direct Ltd. 6 of my paintings from the Return of Peter Pan Series will be to admire. I am not humble, but I am really love this series. The paintings are cheerful, mysterious, some of them surreal, some of them funny all of them really beautiful. I hope if you are living in Florida or close to Miami you will go and see my paintings. I would love it.

A selection of paintings from Return of Peter Pan Series

Red Dot Miami cov­ers the entire spec­trum of artists, includ­ing emerg­ing, mid-career, and estab­lished artists. This year’s show involves nearly 45 gal­leries from all across the globe, spe­cial­iz­ing in both mod­ern and con­tem­po­rary art. Works include just about every medium in con­tem­po­rary prac­tice: paint­ing pho­tog­ra­phy, sculp­ture, and works on paper. There is also a spe­cial sec­tion devoted to the debut of spe­cific film and pho­tog­ra­phy projects. Addi­tion­ally another newly devel­oped sec­tion is reserved for books. This area is for pub­lish­ing houses show­ing edi­tioned pub­li­ca­tions and book arts. Red Dot Miami aims to pro­mote this medium and bring recog­ni­tion to inde­pen­dent publishers.

The idea of taking art to the community came from Jim (my partner). I think he was just bored with my constant monologue about contemporary art, or to be more accurate perhaps I should say modern contemporary art.

My monologue was about these issues:

• How alienated modern contemporary art is from the image about art of the average man and woman in the street. The average person visiting a very contemporary art gallery or modern art centre at the present time doesn’t understand most of the presenting art works. She or he wants to understand the “art works”. Because they can’t understand it, explain it, find any sense in it, they think they don’t possess the academic knowledge about modern art, and they just don’t like it.
• How alienated, exhausted and recessive art that is currently presented in contemporary art galleries, art shows and modern art museums.  Actually, nobody understands contemporary art these days:  not the art historicists, not the art curator, not even the people who are writing the articles in the art magazines or introductions in the books. Very often even the makers/the artists don’t understand them either. They just like it and make it up, because that is what others expect of them.
• Art doesn’t exist anymore. Most of the 'Art' isn't art any more. Nothing is art and everything is art. Art is about personal and emotional engagement. You like it or you do not, you feel it or you do not feel it; it makes you laugh, it makes you cry, it makes you angry, it makes you disgusted. It is OK!  How few techniques and skills are possessed by the new generation of students graduating from the Art Colleges these days.
• Most of the artists presented in museums are talking to themselves, and have an inner dialogue with their empty mind.
• However Pablo Picasso said:  “Everyone wants to understand art. Why not try to understand the song of a bird? .. People who try to explain pictures are usually barking up the wrong tree.” Art is about feeling….or should I say NON-ART is about sensation.  Maybe we never should think about what an artist is trying to convey, just concentrate on what the piece means to you, how it makes you feel. After all it is your personal experience!

And so forth and so forth…..

One day, just a few hours before our trip to the ocean (body boarding) Jim came out with a idea about taking ART to ordinary people and discussing contemporary art and art in general.  “And the word became flesh and dwelt among us” since September 29, 2011.

The primary aim of the project is to take contemporary art out of galleries and museums, to take it out of artist's studios, and to show it to all sorts of different people in a variety of environments and locations around South West England.

We would like to discover from the ordinary people of Devon and Cornwall, what kind of art they like and what they don’t like. What contemporary art means to them? Are they interested in art at all? Is there a place for art in their life, living room, kitchen, mind? Or maybe they are not interested in art at all? These are the sort of questions we are going to be asking people on our travels. Maybe we will ask you too!

The preview of Contemporary Art in the Community

Widemouth Bay, North Cornwall, South West England
Thursday 29th September 2011

In which Graham meets a being born in the nebula of the constellation of Orion for the very first time, and is moved by Mintaka's message for mankind.

]]> http://blog.kasiaturajczyk.com/2011/10/contemporary-art-in-the-community-1n/feed/ 1 http://blog.kasiaturajczyk.com/2011/10/gravitys-harlequin-from-peter-pan-series/ http://blog.kasiaturajczyk.com/2011/10/gravitys-harlequin-from-peter-pan-series/#comments Sun, 16 Oct 2011 22:03:25 +0000 Kasia http://blog.kasiaturajczyk.com/?p=742 In this new work from the Peter Pan Series I wanted to capture a movement. I liked the idea of the clown in motion. I have already painted him motionless, so this time I wanted to paint him in action. There is a certain uncertain power which is pulling my little harlequin- clown in one direction. However when you look very close and you pay the attention to the body of the harlequin you can discover an inclination to go in the opposite direction.  And there is also Gravity, the natural phenomenon by which the body of my little friend attracts with a force proportional to his mass. Instead of a force it could of course be space-time curvature instead. An interesting idea for a new painting.

More on Gravity's Harlequin from Peter Pan Series

]]> In this new work from the Peter Pan Series I wanted to capture a movement. I liked the idea of the clown in motion. I have already painted him motionless, so this time I wanted to paint him in action. There is a certain uncertain power which is pulling my little harlequin- clown in one direction. However when you look very close and you pay the attention to the body of the harlequin you can discover an inclination to go in the opposite direction.  And there is also Gravity, the natural phenomenon by which the body of my little friend attracts with a force proportional to his mass. Instead of a force it could of course be space-time curvature instead. An interesting idea for a new painting.


Gravity's Harlequin - acrylics on canvas; € 1.450

]]> http://blog.kasiaturajczyk.com/2011/10/gravitys-harlequin-from-peter-pan-series/feed/ 5 http://blog.kasiaturajczyk.com/2011/09/hell-purgatory-and-heaven-an-abstract-concept/ http://blog.kasiaturajczyk.com/2011/09/hell-purgatory-and-heaven-an-abstract-concept/#comments Tue, 27 Sep 2011 17:24:47 +0000 Kasia http://blog.kasiaturajczyk.com/?p=726 So there we are between Hell, Purgatory and Heaven. The GREAT TRIO issue of the Church Fathers, theologians and artists, not only the religious ones ).

I don’t believe in a God (or Gods). I don’t believe in Hell, Purgatory or Heaven. I believe in physics, in the concept of eternal universes, in the perfection of our imperfect cosmos. I believe in the force of nature, a kind of intelligent living being, but without any sentiments or feelings. I was born into a Catholic family and up until the age of 8 I received a Catholic tutoring. Even so I didn’t believe in God consciously from the age of 12, but I am still fascinated by Catholic religion and especially by medieval art and culture. Medieval Art is one of my greatest passions. I can’t take my eyes off the marvellous, absolutely stunning Gothic Cathedrals, impressive gothic altarpieces, the beautiful icons, the fantastic gargoyles, and burlesque creatures, unorthodox and original creations all. Actually I love all the medieval visual art, the architecture and designs.

More on Hell, Purgatory and Heaven – an abstract concept.

]]> So there we are between Hell, Purgatory and Heaven. The GREAT TRIO issue of the Church Fathers, theologians and artists, not only the religious ones ).

I don’t believe in a God (or Gods). I don’t believe in Hell, Purgatory or Heaven. I believe in physics, in the concept of eternal universes, in the perfection of our imperfect cosmos. I believe in the force of nature, a kind of intelligent living being, but without any sentiments or feelings. I was born into a Catholic family and up until the age of 8 I received a Catholic tutoring. Even so I didn’t believe in God consciously from the age of 12, but I am still fascinated by Catholic religion and especially by medieval art and culture. Medieval Art is one of my greatest passions. I can’t take my eyes off the marvellous, absolutely stunning Gothic Cathedrals, impressive gothic altarpieces, the beautiful icons, the fantastic gargoyles, and burlesque creatures, unorthodox and original creations all. Actually I love all the medieval visual art, the architecture and designs.

After this long interruption (I am an artist and as such I have to say something about me!) back to the big Trinity.

Pope John Paul II said: The essential characteristic of heaven, hell or purgatory is that they are states of being of a spirit (angel/demon) or human soul, rather than places, as commonly perceived and represented in human language.

This language of place is, according to John Paul II, inadequate to describe the realities involved, since it is tied to the temporal order in which this world and we ourselves exist. In this he is applying the philosophical categories used by the Church in her theology and saying what St. Thomas Aquinas said long before him.

Incorporeal things are not in place after a manner known and familiar to us, in which way we say that bodies are properly in place; but they are in place after a manner befitting spiritual substances, a manner that cannot be fully manifest to us. [St. Thomas Aquinas,Summa Theologiae, Supplement, Q69, a1, reply 1]

This is how the Catechism of the Catholic Church summarizes the truths of faith on this subject:

To die in mortal sin without repenting and accepting God's merciful love means remaining separated from him for ever by our own free choice. This state of definitive self-exclusion from communion with God and the blessed is called hell (n. 1033).

How different are these views from the ideas of the medieval artists, sculptors, builders, decorators and craftsmen about Hell, Purgatory and Heaven.  They saw them as places. The medieval artists took delight in their subversive possibilities.

They created the most incredible churches, altarpieces, icons and paintings. Among those lots of them on the topic of Hell, Purgatory and Heaven.

The Buddhist concept of heaven and hell is entirely different from that in other religions. Buddhists do not accept that these places are eternal. It is unreasonable to condemn a man to eternal hell for his human weakness but quite reasonable to give him every chance to develop himself. From the Buddhist point of view, those who go to hell can work themselves upward by making use of the merit that they had acquired previously. There are no locks on the gates of hell. Hell is a temporary place and there is no reason for those beings to suffer there forever.

The Buddha's Teaching shows us that there are heavens and hells not only beyond this world, but in this very world itself. Thus the Buddhist conception of heaven and hell is very reasonable. For instance, the Buddha once said,

'When the average ignorant person makes an assertion to the effect that there is a Hell (patala) under the ocean he is making a statement which is false and without basis. The word 'Hell' is a term for painful sensations.'

The idea of one particular ready-made place or a place created by god as heaven and hell is not acceptable to the Buddhist concept.
I like this concept of Buddhism and also very much the concept of the Toltecs. We are creating in a metaphorical sense our own hell, purgatory and heaven in this world in our own lives.

I was playing with this idea: heaven is Death, purgatory is our temporary existence, and our birth is Hell!

I am absolutely aware about the fact that my abstract vision about Hell, Purgatory and Heaven is nothing compare to the imaginary art of Hans Memling, Hieronymus Bosh, Christobal Rojas etc, etc. It is my first approach to this topic. Just trying the colours and the structure.  I used my own technique to create this modern triptych on 3 separate canvasses.

Here are they:



Hell, Purgatory and Heaven - triptych by Kasia B.T.

]]> http://blog.kasiaturajczyk.com/2011/09/hell-purgatory-and-heaven-an-abstract-concept/feed/ 3 http://blog.kasiaturajczyk.com/2011/09/british-art-show-7-in-plymouth-in-the-days-of-the-comet/ http://blog.kasiaturajczyk.com/2011/09/british-art-show-7-in-plymouth-in-the-days-of-the-comet/#comments Sat, 17 Sep 2011 20:21:13 +0000 Kasia http://blog.kasiaturajczyk.com/?p=712 I have a huge hangover after visiting yesterday the BAS7 Plymouth – British Art Show 7 in Plymouth, "In the days of the Comet". Nothing that I saw was actually good or blasphemous or new. It seems that our cultural horizons are shrinking. The exhibited pieces weren't optimistic or pessimistic, they were totally empty without any message. I heard one of the curators saying (in one of the speeches at the University) about the 39 brilliant, excellent artists who represent the best of the British art scene. No comment. What I saw was a collection of mediocrity and copies of the past. I am not angry, I am sad. The only funny thing that I liked it was the huge, orange Micky Mouse. Art? – no, but entertainment – yes.

More on British Art Show 7 in Plymouth, "In the days of the Comet"

]]> I have a huge hangover after visiting yesterday the BAS7 Plymouth – British Art Show 7 in Plymouth, "In the days of the Comet". Nothing that I saw was actually good or blasphemous or new. It seems that our cultural horizons are shrinking. The exhibited pieces weren't optimistic or pessimistic, they were totally empty without any message. I heard one of the curators saying (in one of the speeches at the University) about the 39 brilliant, excellent artists who represent the best of the British art scene. No comment. What I saw was a collection of mediocrity and copies of the past. I am not angry, I am sad. The only funny thing that I liked it was the huge, orange Micky Mouse. Art? – no, but entertainment – yes.

It seems to me that art scene at the moment is best to describe as exhausted and recessive. Anyway, what is presented in the modern art centres. The 'average' people don't understand what the modern/ temporary artists do, they don't like the avant-garde of our time, they don't like it, do not appreciate it, they don't see it as art. I don't blame them. I think most of the artists presented in museums are talking to themselves, have an inner dialogue with their empty mind. Most of the 'Art' isn't art any more. Nothing is art and everything is art. And I blame Duchamp for that ))



Fountaine - Duchamp

]]> http://blog.kasiaturajczyk.com/2011/09/british-art-show-7-in-plymouth-in-the-days-of-the-comet/feed/ 7 http://blog.kasiaturajczyk.com/2011/09/devon-open-studios-2011-third-day-out-of-the-blue/ http://blog.kasiaturajczyk.com/2011/09/devon-open-studios-2011-third-day-out-of-the-blue/#comments Tue, 06 Sep 2011 15:20:35 +0000 Kasia http://blog.kasiaturajczyk.com/?p=705 Yesterday completely out of the blue a German couple visited my studio. They had just followed the yellow signs, not knowing what would be at the end of them. They not only loved my paintings but even bought one. We talked about modern art, especially modern conceptual German art. She lives in Essen and he is from Wuppertal. I absolutely enjoyed my time spent with those two very interesting individuals who really were into modern conceptual art.
She loves my weird stuff, like My Brain

More on Devon Open Studios 2011 – third day "Out of the blue".

]]> Yesterday completely out of the blue a German couple visited my studio. They had just followed the yellow signs, not knowing what would be at the end of them. They not only loved my paintings but even bought one. We talked about modern art, especially modern conceptual German art. She lives in Essen and he is from Wuppertal. I absolutely enjoyed my time spent with those two very interesting individuals who really were into modern conceptual art.
She loves my weird stuff, like My Brain



A conversation with my cosmos, 2010 from the Series My Brain

and all my collages but also my more representative work. They thought about buying my Tree.



The Decrepit limbs of Mr Elm

At one point we went to my Summer Studio (I only paint there between late Spring and middle Autumn). When he saw my Blueberry Biker he decided to buy it. So my lovely Blueberry Biker has left me. Now I have to paint his next adventure and his beautiful lover.

In the late afternoon I had another visitor, a lovely lady who visited me a year before.
The third day of Devon Open Studios 2011 wasn't so bad after all!


Blueberry Biker on his way to his lover hidden in a golden cage.

]]> http://blog.kasiaturajczyk.com/2011/09/devon-open-studios-2011-third-day-out-of-the-blue/feed/ 1 http://blog.kasiaturajczyk.com/2011/09/the-devon-open-studios-2011-second-day/ http://blog.kasiaturajczyk.com/2011/09/the-devon-open-studios-2011-second-day/#comments Sun, 04 Sep 2011 18:54:21 +0000 Kasia http://blog.kasiaturajczyk.com/?p=695 Today is the second day of Devon Open Studios 2011. No visitors today. Yesterday a couple with a child visited me. They just saw a sign on the wall and because the child needed to take a leak they stopped and visited me. They were nice people but not really interested in my paintings or in what I am doing or why I am doing it.

More on The Devon Open Studios 2011 – second day

]]> Today is the second day of Devon Open Studios 2011. No visitors today. Yesterday a couple with a child visited me. They just saw a sign on the wall and because the child needed to take a leak they stopped and visited me. They were nice people but not really interested in my paintings or in what I am doing or why I am doing it.

I have created a new installation in the garden. It is about my insomnia. I got the inspiration from my own problems with sleeping and from a book I received from my 'art fan' in Brussels. If he is reading this post, he will be happy to know that I found the publication about Narcolepsy very educational and interesting.

Here is a photo of the installation:



Insomnia - Narcolepsy - Installation 2011 by Kasia B.T.

I am starting to think about my dream to make it as an artist as something very irrational, utopian and pathetic. Who needs art, who needs my art? If you have finished an art academy and if you don't "make it" within the next three years then you will never make it. The talent, ideas, originality, whatever it is of no importance after that. It is just the significance to being discovered by a very important art dealer and some luck. Then the marketing machine will start to work for you. Otherwise it will not.

Here are a few images of my work in progress:



Landscape in gold and blue



A bird in colours of Devon



The Gravitation of the Clown - painting in progress



We are born alone, we die alone together

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