On October 1st, 2011 two friends came to dinner. Ami is a musician and Didge is a studying at Plymouth College of Art.
We asked them to take part in our art-video project Contemporary Art in the Community. Both of them agreed and were happy to do so. It seems both of them are into art in a big way!
Here is our 3rd video in the series:
Contemporary Art in the Community #3/n
Kasia's Studio; The Haldon Hills, Devon, South West England
In which Ami realises that art shouldn't be about "cutting us off from the fabric of our life experience. Art is about coming up underneath our life experience, and lifting us up".
So there we are between Hell, Purgatory and Heaven. The GREAT TRIO issue of the Church Fathers, theologians and artists, not only the religious ones ).
I don’t believe in a God (or Gods). I don’t believe in Hell, Purgatory or Heaven. I believe in physics, in the concept of eternal universes, in the perfection of our imperfect cosmos. I believe in the force of nature, a kind of intelligent living being, but without any sentiments or feelings. I was born into a Catholic family and up until the age of 8 I received a Catholic tutoring. Even so I didn’t believe in God consciously from the age of 12, but I am still fascinated by Catholic religion and especially by medieval art and culture. Medieval Art is one of my greatest passions. I can’t take my eyes off the marvellous, absolutely stunning Gothic Cathedrals, impressive gothic altarpieces, the beautiful icons, the fantastic gargoyles, and burlesque creatures, unorthodox and original creations all. Actually I love all the medieval visual art, the architecture and designs.
Yesterday completely out of the blue a German couple visited my studio. They had just followed the yellow signs, not knowing what would be at the end of them. They not only loved my paintings but even bought one. We talked about modern art, especially modern conceptual German art. She lives in Essen and he is from Wuppertal. I absolutely enjoyed my time spent with those two very interesting individuals who really were into modern conceptual art.
The "Beautiful and Ugly" project has now been officially closed. The deadline has been slightly shifted in time. A few people could not visit me during the Devon Open Studios event itself, and asked me not to dismantle the installation but instead to wait until they had a chance to see it.
My first 17 months of living in the country, in a real village have been a wonderful experience and bore lots of wonderful paintings, collages, installation and even small sculptures. The nature of Devon inspired me to be very creative with materials and to experiment with unusual topics for me. I hope it will move me forward to discover new possibilities for the surface, texture, patterns of my paintings and to invent new original genres.
During the Devon Open Studios I am inviting my visitors to take part in the process of producing an installation. It is an Art Wall Installation in my opinion. It is a large wall board, painted in different colours from black to white and all the nuances of white-grey, grey-grey and black grey. I prepared lots of mini-art works- painted old CD's. They are painted in different colours and they have different surfaces. Some of them smooth, some of them rough. All of them unique. Some of them ugly and some of them very nice. I divided the Art Wall Installation – the board in two parts: the Beautiful one and the Ugly one. We all love judging. We don't like to be judged but we do love to judge other people and other things. We should not do it. It is very bad actually, but we just do it. In the case of my installation I am asking people to make a judgement about a small piece of art work I made. I ask them to make a choice between what they think is beautiful and what they think is ugly, between nice and not nice, between what they like and what they don't like. The reactions are very interesting, some of the visitors don't want to choose an ugly CD. They just refuse to do so. Some of them are saying that such a concept as ugly don't not exist in art. Others I guess don't want to be unpleasant to me, the artist. And me, I am just curious about the taste of people, what they do like and what they do not. What is ugly for them and what is beautiful. I don't know if I will be able to come to an eventual intelligent conclusion at the end of this experiment. But I do know that I am very curious about the final result.
Instead of the usual story about the inspiration for a painting, in this case for "As a winter night falls over Devon" and how it came to life, this time I present a poem. A poem about creation, art and the Tao. I think it fits perfectly together with this painting. "As a winter night falls over Devon" is a collage on board.
My new painting in the Metropolis series is called “Metropolis and its heart”.
Metropolis and its heart, acrylics on canvas; 90cm x 90cm
I have been thinking for a long time about what constitutes the heart of the big city. What could it be? The technology and the evolutionary progress and development in the education of homo sapiens? Or our nature, the fact that we are sociable, a social and collective animal? However this is inconsistent with the reality – people who live in a small village or town are more sociable and less anonymous than those who live in big molochs. Living in a big city makes us 100% nameless, more private and more secret.
Heaven and hell have first of all a symbolic meaning for me. I was born into a family with Catholic traditions (with the exception of a few atheists and one Buddhist). I was born in a country where for many being Catholic is the status quo. For various individuals in Poland being a part of the Roman Catholic family is a criterion of being Polish too. If I was born in India in a Buddhist family hell and heaven would be for me just abstract, meaningless words.
).
