Blueberryer and Blueberryess have found themselves in a tangled situation again.

Against all advice, Blueberryess jumped into the ocean because she wanted to know what she could find deep down in the black water. After that Blueberryer as a true gentlemen had no other option than to take a deep breath and jump into the ocean too. He did take the jump on his bike though. Of course he had a choice. To forget his Blueberryess and go for a wonderful bike ride in the “magnifique” Blueberry valley, sipping slowly the elegant Blueberry Cocktail at the top of the Blueberry Hill and enjoying the marvellous view over Blueberry Land. But as a victim of his own conception of his greatness, he had no other option than to jump into the black waters of that ocean. Or maybe it was true love?

This time only a miracle could help them. Blueberryess was swept swiftly into the Ocean Monster’s maw, and Bluberryer following her on his bike did almost the same. Suddenly out of the nothingness a Blueberry Angel appeared close to the monster. Would he be able to rescue the two reckless Blueberries?

The adventure with an Ocean Monster and a Blueberry Angel

From the Series Blueberry Land

From my new Series Blueberryland – The adventure in the Blueberry Hole

Blueberryland is full of unpredictable and unexpected phenomena.

Just when Blueberryer and Blueberryess wanted to go for a nice, evening walk suddenly out of the blue a golden and blue hole opened its mouth and both of them were taken into a new adventure. Maybe they could even wake up in a new Universe? Can they survive inside the blueberry hole? Is there a way to escape from it? Is the blueberry hole less dangerous than an ordinary black hole? Can Blueberryer rescue his Blueberryess without his Golden bike?

The adventure in the Blueberry Hole from the Series Blueberryland #2/n.

Blueberryland #2/n - detail

Among Kasia’s paintings are some which one would not immediately connect with fantasy. However because the composition of some elements cannot be found in the real world, these paintings bring to mind thoughts about surrealism. An example of such a work is Panta Rhei – fairly economical in form, it depicts a seaside landscape with a flying Pelican, projecting a shadow on the sand and there are also wide open doors hanging over the beach. Such paintings show restlessness and tension very clearly; which could be caused by the diversity and variety of the possibile associations which every observer can find inside oneself, dependent upon ones own experience and sensitivity.  (From a review by Karolina Jablonska, art curator and art historian)

Farewell Panta Rhei – Nothing is forever.

Panta Rhei - oil on board; 1997

2012 Calendars

Return of Peter Pan Calendar

2012 Calendar- Return of Peter Pan by kasiamuminek
See other calendars 2011 designs.

The Red Dot Art Fair once again takes place at the Wyn­wood Art Dis­trict in Miami, from Decem­ber 1 to 5. Red Dot Miami is con­ve­niently located in a prime spot for art fairs, while tak­ing place dur­ing Miami’s art fair sea­son. Some neigh­bors would include Art Miami, Scope Miami, and Art Asia. Red Dot Miami also runs con­cur­rently with Art Basel Miami Beach.

And I will be there represented by Artisan Direct Ltd. 6 of my paintings from the Return of Peter Pan Series will be to admire. I am not humble, but I am really love this series. The paintings are cheerful, mysterious, some of them surreal, some of them funny all of them really beautiful. I hope if you are living in Florida or close to Miami you will go and see my paintings. I would love it.

A selection of paintings from Return of Peter Pan Series

Red Dot Miami cov­ers the entire spec­trum of artists, includ­ing emerg­ing, mid-career, and estab­lished artists. This year’s show involves nearly 45 gal­leries from all across the globe, spe­cial­iz­ing in both mod­ern and con­tem­po­rary art. Works include just about every medium in con­tem­po­rary prac­tice: paint­ing pho­tog­ra­phy, sculp­ture, and works on paper. There is also a spe­cial sec­tion devoted to the debut of spe­cific film and pho­tog­ra­phy projects. Addi­tion­ally another newly devel­oped sec­tion is reserved for books. This area is for pub­lish­ing houses show­ing edi­tioned pub­li­ca­tions and book arts. Red Dot Miami aims to pro­mote this medium and bring recog­ni­tion to inde­pen­dent publishers.

Here is the second video of the project Contemporary Art in the Community. We had an unexpected visit from Doreen on October 1st 2011. She is very much into art and she liked our idea. The video has been taken outside my studio on the Haldon Hills in Devon. In this video Doreen recognises Hell when she sees it, and feels herself drowning in a really stormy, turbulent sea in one of my paintings.

“Contemporary Art in the Community” is a joint project between me Kasia Turajczyk and econnexus.org.

The idea of taking art to the community came from Jim (my partner). I think he was just bored with my constant monologue about contemporary art, or to be more accurate perhaps I should say modern contemporary art.

My monologue was about these issues:

• How alienated modern contemporary art is from the image about art of the average man and woman in the street. The average person visiting a very contemporary art gallery or modern art centre at the present time doesn’t understand most of the presenting art works. She or he wants to understand the “art works”. Because they can’t understand it, explain it, find any sense in it, they think they don’t possess the academic knowledge about modern art, and they just don’t like it.
• How alienated, exhausted and recessive art that is currently presented in contemporary art galleries, art shows and modern art museums.  Actually, nobody understands contemporary art these days:  not the art historicists, not the art curator, not even the people who are writing the articles in the art magazines or introductions in the books. Very often even the makers/the artists don’t understand them either. They just like it and make it up, because that is what others expect of them.
• Art doesn’t exist anymore. Most of the 'Art' isn't art any more. Nothing is art and everything is art. Art is about personal and emotional engagement. You like it or you do not, you feel it or you do not feel it; it makes you laugh, it makes you cry, it makes you angry, it makes you disgusted. It is OK!  How few techniques and skills are possessed by the new generation of students graduating from the Art Colleges these days.
• Most of the artists presented in museums are talking to themselves, and have an inner dialogue with their empty mind.
• However Pablo Picasso said:  “Everyone wants to understand art. Why not try to understand the song of a bird? .. People who try to explain pictures are usually barking up the wrong tree.” Art is about feeling….or should I say NON-ART is about sensation.  Maybe we never should think about what an artist is trying to convey, just concentrate on what the piece means to you, how it makes you feel. After all it is your personal experience!

And so forth and so forth…..

One day, just a few hours before our trip to the ocean (body boarding) Jim came out with a idea about taking ART to ordinary people and discussing contemporary art and art in general.  “And the word became flesh and dwelt among us” since September 29, 2011.

The primary aim of the project is to take contemporary art out of galleries and museums, to take it out of artist's studios, and to show it to all sorts of different people in a variety of environments and locations around South West England.

We would like to discover from the ordinary people of Devon and Cornwall, what kind of art they like and what they don’t like. What contemporary art means to them? Are they interested in art at all? Is there a place for art in their life, living room, kitchen, mind? Or maybe they are not interested in art at all? These are the sort of questions we are going to be asking people on our travels. Maybe we will ask you too!

The preview of Contemporary Art in the Community

Widemouth Bay, North Cornwall, South West England
Thursday 29th September 2011

In which Graham meets a being born in the nebula of the constellation of Orion for the very first time, and is moved by Mintaka's message for mankind.

I am working on my new abstract painting from the Metropolis Series. This time this abstract work will be dedicated to the people of Occupy Wall Street Movement. My painting is entitled "Metropolis – Resistance 99%. The title as well as the painting is inspired by the uprisings across the Arab world, and fueled by the feelings of anger and helplessness of everyday Americans, in the past month as well all people around the world belonging to the 99%.

Occupy Wall Street is a people powered movement that began on September 17, 2011 in Liberty Square in Manhattan’s Financial District, and has spread to over 100 cities in the United States and actions in over 1,500 cities globally.#OWS is fighting back against the corrosive power of major banks and multinational corporations over the democratic process, and the role of Wall Street in creating an economic collapse that has caused the greatest recession in generations.The movement is inspired by popular uprisings in Egypt, Tunisia, Spain, Greece, Italy and the UK, and aims to expose how the richest 1% of people who are writing the rules of the global economy are imposing an agenda of neoliberalism and economic inequality that is foreclosing our future.

Metropolis-The resistance continues ; acrylics on canvas

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In this new work from the Peter Pan Series I wanted to capture a movement. I liked the idea of the clown in motion. I have already painted him motionless, so this time I wanted to paint him in action. There is a certain uncertain power which is pulling my little harlequin- clown in one direction. However when you look very close and you pay the attention to the body of the harlequin you can discover an inclination to go in the opposite direction.  And there is also Gravity, the natural phenomenon by which the body of my little friend attracts with a force proportional to his mass. Instead of a force it could of course be space-time curvature instead. An interesting idea for a new painting.

Gravity's Harlequin - acrylics on canvas; € 1.450